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The Brain Is the Screen: Deleuze and the Philosophy of Cinema by Gregory Flaxman and Editor,Gregory Flaxman
Publisher: University of Minnesota Press | February 17, 2000 | ISBN: 0816634467 | Pages: 344 | PDF | 22.71 MB
This book is well worth the time for anyone who cares about philosophy, who does film studies, or who simply wants to understand Deleuze. The opening introduction to Deleuze's film-philosophy is the best I've come across; the essays are superb (see, especially, those by Lambert, Marks, Canning, Martin, Alliez, and Conley); and the concluding interview with Deleuze is surprisingly lucid. This ought to be required reading.
Of images and worlds: toward a geology of the cinema / Jean-Clet Martin -- Cinema year zero / Gregory Flaxman -- Escape from the image: Deleuze's image-ontology / Martin Schwab -- The eye of montage: Dziga Vertov and Bergsonian materialism / François Zourabichvili -- The film history of thought / András Bálint Kovács -- Into the breach: between the movement-image and the time-image / Angelo Restivo -- Signs of the time: Deleuze, Peirce, and the documentary image / Laura U. Marks -- The roots of the nomadic: Gilles Deleuze and the cinema of West Africa / Dudley Andrew -- Cinema and the outside / Gregg Lambert -- Midday, midnight: the emergence of cine-thinking / Éric Alliez -- The film event: from interval to interstice / Tom Conley -- The imagination of immanence: an ethics of cinema / Peter Canning -- The brain is the screen: an interview with Gilles Deleuze.
please... no mirrors!!!
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