Marx: A Very Short Introduction
Peter Singer identifies the central vision that unifies Marx's thought, enabling us to grasp Marx's views as a whole. He sees him as a philosopher primarily concerned with human freedom, rather than as an economist or a social scientist. In plain English, he explains alienation, historical
materialism, the economic theory of Capital, and Marx's ideas of communism, and concludes with an assessment of Marx's legacy.
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Christian Art: A Very Short Introduction
This Very Short Introduction decodes the key themes, signs, and symbols found in Christian art: the Eucharist, the image of the Crucifixion, the Virgin Mary, the Saints, Old and New Testament narrative imagery, and iconography. It also explores the theological and historical background of
Christian imagery, from the devotional works of the Medieval and Renaissance periods, to the twenty-first century.
Williamson uses examples from, amongst others, Cimabue, Michelangelo, and Rosetti. She concludes by outlining the co-existence in contemporary 'post-Christian' culture of the deliberately controversial works of artists such as Andres Serrano and Chris Ofili, alongside the consciously devotional
works of those such as Eric Gill and Peter Blake.
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Buddhist Ethics: A Very Short Introduction
The latter half of the twentieth century witnessed a growing interest in Buddhism, and it continues to capture the imagination of many in the West who see it as either an alternative or a supplement to their own religious beliefs. Numerous introductory books have appeared in recent years to
cater to this growing interest, but almost none devotes attention to the specifically ethical dimensions of the tradition. For various complex cultural and historical reasons, ethics has not received as much attention in traditional Buddhist thought as it has in the West. Written by Damien Keown,
one of the few experts worldwide who specializes in the area, Buddhist Ethics illustrates how Buddhism might approach a range of contemporary moral issues, ranging from abortion to euthanasia, sexuality to cloning, and even war and economics.
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Feminism: A Very Short Introduction
This is a historical account of feminism that looks at the roots of feminism, voting rights, and the liberation of the sixties, and analyzes the current situation of women across Europe, in the United States, and elsewhere in the world, particularly the Third World countries. Walters examines
the difficulties and inequities that women still face, more than forty years after the "new wave" of 1960s feminism--difficulties, particularly, in combining domesticity, motherhood and work outside the home. How much have women's lives really changed? In the West, women still come up against the
"glass ceiling" at work, with most earning considerably less than their male counterparts. What are we to make of the now commonplace insistence that feminism deprives men of their rights and dignities? And how does one tackle the issue of female emancipation in different cultural and economic
environments--in, for example, Islam, Hinduism, the Middle East, Africa, and the Indian sub-continent?
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History: A Very Short Introduction
There are many stories we can tell about the past, and we are not, perhaps, as free as we might imagine in our choice of which stories to tell, or where those stories end. John Arnold's addition to Oxford's popular Very Short Introductions series is a stimulating essay about how people study
and understand history. The book begins by inviting us to think about various questions provoked by our investigation of history, and then explores the ways in which these questions have been answered in the past. Such key concepts as causation, interpretation, and periodization are introduced by
way of concrete examples of how historians work, thus giving the reader a sense of the excitement implicit in discovering the past--and ourselves.
The aim throughout History: A Very Short Introduction is to discuss theories of history in a general, pithy, and accessible manner, rather than delve into specific periods. This is a book that will appeal to all students and general readers with an interest in history or historiography.
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Literary Theory: A Very Short Introduction
What is literary theory? Is there a relationship between literature and culture? In fact, what is literature, and does it matter? These questions and more are addressed in Literary Theory: A Very Short Introduction, a book which steers a clear path through a subject which is often perceived
to be complex and impenetrable.
Jonathan Culler, an extremely lucid commentator and much admired in the field of literary theory, offers discerning insights into such theories as the nature of language and meaning, and whether literature is a form of self-expression or a method of appeal to an audience. Concise yet thorough,
Literary Theory also outlines the ideas behind a number of different schools: deconstruction, semiotics, postcolonial theory, and structuralism, among others.
From topics such as literature and social identity to poetry, poetics, and rhetoric, Literary Theory: A Very Short Introduction is a welcome guide for anyone interested in the importance of literature and the debates surrounding it.
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Medieval Britain: A Very Short Introduction
A comprehensive and authoritative short guide, this Very Short Introduction to Medieval Britain covers the establishment of the Anglo-Norman monarchy in the early Middle Ages, through to England's failure to dominate the British Isles and France in the later Middle Ages. Out of the turbulence
came stronger senses of identity in Scotland, Wales, and Ireland. Yet this was an age, too, of growing definition of Englishness and of a distinctive English cultural tradition.
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Russian Literature: A Very Short Introduction
Rather than presenting a conventional chronology of Russian literature, Russian Literature: A Very Short Introduction explores the place and importance in Russian culture of all types of literature. How and when did a Russian national literature come into being? What shaped its creation? How
have the Russians regarded their literary language? The book uses the figure of Pushkin--'the Russian Shakespeare'--as a recurring example, as his work influenced every Russian writer who came after him, whether they wrote prose or verse. It furthermore examines why Russian writers are venerated,
how they've been interpreted inside Russia and beyond, and the influences of the folk tale tradition, orthodox religion, and the West.
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Fascism: A Very Short Introduction
What is fascism? Is it revolutionary? Or is it reactionary? This book argues that it is both: fascism unleashes violence against the left and ethnic minorities, but also condemns the bourgeoisie for its "softness". Kevin Passmore opens his book with a series of "scenes from fascist life"--a
secret meeting of the Romanian Iron Guard; Mussolini meeting the king of Italy; a rally of Hungarian doctors calling for restrictions on the number of Jews entering the profession. He then looks at the paradoxes of fascism through its origins in the political and social crisis of the late nineteenth
century, the history of fascist movements and regimes in Italy and Germany, and the fortunes of "failed" fascist movements in Romania, Hungary and Spain. He shows how fascism employs propaganda and popular culture to propagate itself and how it exported its ideas outside Europe, through Nazi and
Spanish post-war escape routes to Latin America. The book concludes with a discussion of the recent revival of the extreme right in Austria, Italy, France, and Russia.
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Northern Ireland: A Very Short Introduction
This highly readable exploration of the central issues and debates about Northern Ireland sets these in the historical context of hundreds of years of conflict. It tackles many questions, such as: What accounts for the perpetuation of ethnic and religious conflict in Ireland? Why has armed
violence proven so hard to control? Who are the major figures and issues in the conflict? Can we expect more "Northern Irelands" in the future?
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International Relations: A Very Short Introduction
Covering topics such as foreign policy, the world economy, and globalization, this Very Short Introduction shows how many disciplines come together in the study of international events. Paul Wilkinson explains the theories underlying the subject, and uses them to investigate issues of foreign
policy, arms control, the environment, and world poverty. Taking care to discuss not only the main academic theories of the discipline, he also brings to light the practical problems and issues confronting the field today, and later examines the important role of organizations such as the United
Nations and the European Union, as well as the influence of ethnic and religious movements and terrorist groups in shaping the way states interact. In closing, Wilkinson takes a look forward to the possible future of international relations.
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The Renaissance: A Very Short Introduction
More than ever before, the Renaissance stands out as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics and even humanity itself emerged in ways that continue to affect not only Europe but the entire world.
In this wide-ranging exploration of the Renaissance, Jerry Brotton shows the period as a time of unprecedented intellectual excitement, cultural experimentation, and interaction on a global scale, alongside a darker side of religion, intolerance, slavery, and massive inequality of wealth and status.
Brotton skillfully guides us through the key issues that defined the Renaissance period, from its art, architecture, and literature, to advancements in the fields of science, trade, and travel. In its incisive account of the complexities of the political and religious upheavals of the period, the
book argues that there are significant parallels between the Renaissance and our own era. This is the first clear and concise account of the Renaissance as a global phenomenon, an important new vision of the Renaissance for the 21st century written by a young Renaissance scholar of a new
generation.
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Photography: A Very Short Introduction
Photographs are an integral part of our daily lives, from sensationalist images in tabloid papers, to personal family snapshots, to the art photography displayed in galleries and sold through international art markets. In this thought-provoking exploration of the subject, Steve Edwards
provides a clear, lively, and imaginative approach to the definition, importance, and meaning of photography. He combines a sense of its historical development with an analysis of its purpose and meaning within a wider cultural context. Edwards also discusses both well-known and more unusual
photos, from the highly controversial Cottingley Fairies to Ansel Adams landscapes, and from the shocking and influential Eddie Adams image of a Vietcong suspect being executed to the portrait/performance art work of Cindy Sherman. Edwards interrogates the way we look and think about photographs,
and considers such issues as truth and recording, objectivity and fine art, identity and memory.
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